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Isadora’s learning curve is understandably steep, though less tortuous than the comparable ‘max/msp/jitter/nato’ & ‘Pure Data’ video building environments. Honed from a decade of working with live video and dance performers, Isadoraepijlogic0.9.jpg is a ‘graphic programming environment’ for building your own applications to control digital media in real-time.
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Arkaos have also announced a new Australian distributor – see. I then treat this as one real-time source for mixing against pre-edited dvd’s and vhs.”įuture plans for arkaos include a sequencing environment, more effects, further automation and playback controls. “The way I use arkaos when I’m VJing is to trigger my still images, clips and streamed live camera with transitions and effects. With enough preparation and parameter tweaking, sophisticated yet simple to use preset keyboards can be developed for live use. Clips and FX are attached to an on-screen keyboard, and are then launched whenever these keys are pressed.
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This attraction to Arkaos for many VJs is because of it’s very intuitive and easy to use interface. Being able to play visuals like music on a keyboard is amazing,” says Denny aka VJ CoresNFX, a Queenslander who now spends her time videomixing at events in the UK. “Arkaos is a versatile tool for mixing and editing alike.
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Originally released to work with simple still images, Arkaos 3.02 can now handle many clips at once, has live camera input & BPM detection, features high quality photoshop style ‘transfer mode’ layering of video clips ( eg add, multiply ), has dozens of live-FX (eg movie to ascii) with FX parameters controllable by midi or mouse x/y values and includes various time-based playback variations. The pioneering commercial video sampler for a home computer was Arkaos, and having refined itself for many years, it boasts one of the most instrument like ‘feels’ of all vj software. For the Vjs and installation artists wishing to control digital media in a live context however, the sacrifice of resolution is well worth the gain of real-time access to complex and powerful toolkits. Increasingly though, VJ applications allow recording of real-time actions, for later rendering slowly at full-resolution.
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The downside is that much of this software works with 320×240 resolution video clips – far short of broadcast standards. Many VJ programs also have unique and desirable FX and processes, great for creating unusual raw material for later remixing within a traditional editor. Most VJ software now comes with live camera input, keying, mixing & layering abilities, easy MIDI & controller integration, audio responsiveness, BPM tempo sync, as well as a variety of live FX – all of which happens in real-time, no waiting, no rendering.įor motion designers, animators, film-makers and graphic designers, this real-time ability to test or sketch out ideas can be incredibly productive and more conducive to creativity than tweaking an editing timeline. With ongoing research and development matched by new hardware, new operating systems, new protocols, plug-ins and community feedback from artists – VJ software is in a state of constant evolution. Jean Poole profiles the cream of the crop.ĭespite the relative youth of the fledgling VJ software industry, VJ coders are managing to provide many innovative solutions for real-time video, exploiting glitches and utilising clever lateral processes that are leaving some of the video rendering giants flat. As VJ software continues to mature, its feature lists are appealing to more than just vjs. With over 100 VJ programs now downloadable, exploration of live and real-time video is booming.